![]() A good example of negative space is a snow scene where a white animal is camouflaged by a seamless background-and it looks like an empty frame until you eventually notice a pair of dark eyes amongst the emptiness. It makes them curious as to why you didn’t follow the usual ‘rules’ of photography, and that’s when they’ll consider what you attempted to achieve. On a psychological level, it forces the viewer to evaluate the importance of what they are seeing. Sometimes the smaller the main subject is, the more dramatic it can be. This is great because it makes them stop and ponder the impact of the photo. Leaving lots of negative space can shock viewers when they first see this type of composition. Using negative space is different to the usual approach to photography, where you try to fill the frame as much as possible with the subject. Negative space usually endows an image with feelings of solitude and peacefulness, which encourages an attitude of contemplation. An extra benefit of this form of composition is the calmness it adds to an image. When there isn’t any negative space in a photo, you tend to look around the image from one object to another, but with negative space, the eyes latch onto the subject, then they’ll briefly wander to the empty space before returning full focus to the main feature of the photo. ![]() Having a minimalistic approach means a simple, uncluttered image, which makes the viewer focus only on the subject. ![]() A current trend in the world at the moment is minimalism, and this fits the negative space composition format extremely well. It’s a dramatic way to give a person or object lots of attention. When the focal point of your photo has a lot of empty space around it, the viewer’s eyes immediately go to the main subject. It’s cleverly deceptive, but it works every time! Why is Negative Space Important? What you are doing is leaving enough room for your subject to stand out. Instead of giving priority to the main subject, with the artistic composition rule called ‘negative space’, it seems as though you give emphasis to the area around the subject. Of all the composition techniques available to photographers, this one is the most counter-intuitive.
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